I just got a nice writeup in the new issue of CalArts Magazine in a feature about Graphic Design Department alumni. It was good to be featured alongside some of my favorite compañeros and compañeras like Mark Kulakoff, Caroline Oh, Jon Sueda, Geoff McFetridge, Brian Roettinger, Hillary Greenbaum, and Andrea Tinnes. The issue’s design by Cassandra Chae and Jin Son is amazing, as well!
Kimbo does magical, magical things with vectors – both in creating new shapes not natively in Illustrator and for assembling vector objects based on symmetry, abstraction and ornament.
Kimbo is super versatile – check out the user manual to see how extensive it really is.
We just finished up designing a tour-only CD of oddball tracks and rarities for Kind of Like Spitting called “Professional Results”, which include a number of tracks from when Ben Gibbard of Deathcab for Cutie was in the band. Catch them on tour this summer!
I’m going to be giving a presentation about typography and type design tools called “Talking Type” at UXTalk in Tokyo on June 25th at 7pm at the Gengo offices. Details should be announced here shortly.
We just picked up an amazing book that we are carrying over at Wordshape—the very best book on the work of Jan Tschichold to date!
The most comprehensive showing to date of the work of typography master Jan Tschichold—the father of New Typography. Published on the occasion of the retrospective exhibition of Tschichold’s work at Ginza Graphic Gallery in 2013, this beautifully designed and printed book covers an immense amount of his output. Included are type designs, book covers from all stages of his career, poster designs, interior typographic layouts, and hundreds of rare Tschichold works—all photographed beautifully.
The book also contains a new essay on the work of Tschichold by his biographer Christopher Burke, as well as an excellent essay on Tschichold’s interest and focus on Japan and Japanese aesthetics by Taro Yamamoto.
This title is highly recommended and is one of the most beautiful books we have ever carried, both in terms of content and design. 148 pages, beautifully written, photographed, designed and printed. You can, and you should, pick it up here.
I’m going to be doing a set of lectures and workshops in Seoul at Hongik University alongside my VCFA compadres Ziddi Msangi and Yoon Soo Lee, as well as with Apple designer Min Bon and Hongik faculty Chris Ro next month. Some amazing posters for the event: this one by Chae Jeongun.
This one by Seungtae Kim.
This poster by Daekeon Kim.
This one by Hong Aerin.
…and finally this one by Jaekook Han. Really awesome set of posters!
While in Korea recently, I was asked who my favorite comic artist was after explaining to a bunch of grad students why they should really read Scott McCloud’s Understanding Comics, even after it was assigned to them and they still hadn’t read it.
My answer: Jonathan Chandler.
Just returned to Tokyo, having finished up a week-long slice of the two-week CalArts X Kookmin University Graphic Design workshop.
The workshop had MFA and BFA students of CalArts and Kookmin conduct joint research on Seoul as a focus via a series of cultural studies. The main area of inquiry was the crucial role of one’s cultural background for understanding/expressing verbal and visual languages.
Other aspects of the workshop schedule included lectures by me and CalArts faculty Michael Worthington, a film screening by CalArts alumnus and Kookmin faculty Kelvin Park, and a hybrid exhibition/pop-up studio by the CalArts students at Common Center called We Love to Design in the Sun.
I gave a lecture entitled The Graphic Designers/Type Designers/Design Teachers That Graphic Design History Forgot about the work of Bavarian designers Eugen Nerdinger and Lisa Beck.
Giant thanks to Jiwon Lee, Jae Hyouk-Sung and Michael Worthington for inviting me to participate.